Tag: exhibits

Special Edition: Apollo, Artemis & the Artistic Perspective

As the crew of Artemis II send back stunning images from their lunar orbit, it’s worth noting the role that visual imagery and the arts played in NASA’s original Apollo program, some 50 years ago. While iconic photos like “Earthrise” (1968) or “Blue Marble” (1972) dominate our visual memory of the events, NASA actually created a full scale arts program for the Apollo missions, reminiscent of the artistic projects of the WPA era. Curator of the National Gallery, Hereward Lester Cook, wrote to many top (and rising) artists, asking them to seize this historic moment to come down to Cape Canaveral to spend months observing and engaging with the Apollo program (Apollo 8-13), noting:

As Daumier pointed out about a century ago, the camera sees everything and understands nothing. It is the emotional impact, interpretation, and hidden significance of these events which lie within the scope of the artists’ vision.

Artists were given housing, stipends, and unfettered, behind-the-scenes access to NASA’s work. In all, the program attracted nearly 200 artists ranging from Annie Leibovitz and Andy Warhol to Robert Rauschenberg and Vija Celmina (even Norman Rockwell participated).

NASA selected some of the most evocative pieces of artwork to form a special exhibit, “Mission Apollo” that premiered at the National Gallery of Art, before travelling to select locations around the country.

At the end of January, 1971, Grinnell College was fortunate to host that exhibit for a week, which contained nearly 50 paintings, drawings, lithographs, and watercolors, that went on display at the Fine Arts Center.  Pictured here are two items from that exhibit.

Robert Rauschenberg, “Sky Garden,” 1969, 6-color lithograph

Remembering Andrew Hsieh (1941-2024)

This winter, we learned that Andrew Hsieh, Professor Emeritus in the History department, passed away at his home in California.  There will be a special memorial gathering at reunion, this weekend, for his friends, colleagues, and former students.

Andrew Hsieh began teaching at Grinnell in the Fall of 1978, having completed a Ph.D in history at Yale University, where he wrote a dissertation about the intellectual world of Tseng Kuo-fan, an important figure who struggled to reconcile Confucianism and the demands of officialdom in the wake of the Taiping Rebellion. Over the years, Prof. Hsieh taught a series of survey courses on Chinese and Japanese History, and played a key role in developing East Asian Studies at the college. In 1985, Prof. Hsieh helped secure a Cowles-Kruidenier grant that financed new coursework, programming, and educational opportunities centered around Chinese Studies. Hsieh organized a five-day conference in 1987, for example, that helped launch this new programming. The conference revolved around questions of reunification between Taiwan and the People’s Republic of China.  Hsieh invited speakers from Hong Kong, China, and Taiwan, alongside academics and policy-makers from the U.S., creating a “list of participants that reads like a Who’s Who in the world of Chinese Studies” (according to the S&B coverage at the time).  In addition to a long list of speakers and conferences, Hsieh used the grant to fund embedded course travel to China, such as the study tour in 1993:

study tour with Hsieh

Hsieh’s management of the grant also led to more sustained curricular changes, such as the hiring of faculty to teach east Asian languages, the creation of a new department of Classical and East Asian Languages (housing these new faculty and courses in the Classics department), and above all, the creation of an exchange program and partnership between Grinnell and Nanjing University, that began in 1987.  That program facilitated not only the exchange of faculty members, but also supported Grinnell students teaching English in the high schools in Nanjing (which would become one element of the “GrinnellCorps” program). Hseih would frequently point to Grinnell’s deep historic ties to China, encouraging students and others to do historical work on the earlier “Grinnell-in-China” program of the 1920s and 1930s.

Prof. Hsieh also made a lasting contribution to the college through the Feng Memorial Collection–which contained over a 1,000 carefully chosen Chinese books that Hsieh acquired from collectors throughout China and Hong Kong to serve as a foundation for students studying Chinese language, history, culture and literature. The collection was named after Hsieh’s mother, Yu-Kuei Feng, who came from a long line of scholars going back to the 18th century, and loved books.

Hsieh’s own love of books came through in one of his last major projects, helping to develop a Faulconer Gallery exhibit–“From the Book Forest”–on Chinese print culture that drew from the collections of Nanjing University, the Yangzhou Block Printing Museum, and the C.V. Starr East Asian Library (at UC Berkeley) in 2011.

In his retirement, Prof. Hsieh finished a book The Lius of Shanghaithat explores how this influential family navigated the challenges of war and upheaval over the course of the twentieth century to establish a business dynasty. The book was co-authored with fellow historian Sherman Cochran (of Cornell University) and was published by Harvard University Press.

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